Memorising Milton's Paradise lost: a study of a septuagenarian exceptional memoriser.

Student Learning

Building on earlier work the present study examines the empirical association between contrasting forms of "memorising", as suggested in the phenomenographic literature (but operationalised here in a form amenable to statistical modelling), and also between such forms of "memorising" and other established explanatory sources of variation in student learning. The aim of this work is directed tow...

tHe IMaGe OF Satan In tHe 1688 edItIOn OF JOHn MIltOn’S PARADISE LOST

the fourth edition of John Milton’s Paradise Lost, published in 1688 by Jacob tonson, was the first to be illustrated. tonson’s edition contained twelve illustrations, one for each book of the epic poem. eight of these illustrations were drawn by John baptist Medina, three by Henry aldrich, and one by bernard lens. My research focuses on the six engravings that include representations of Satan—...

Manifesting the Concept of Water in the Paradise of Quran and Persian Garden

The Holy Quran, as the guiding book of mankind, contains a collection of divine verses in which there are innumerable truths and mysteries, and is the greatest manifestation of the emergence of a truth in the material body. So that the truth of heaven appears in the material form and the architecture of the garden. Contrary to the simple appearance of Persian garden, the structural and semantic...

The Country Estate And The Indies (East And West): The Shifting Scene Of Eden In "Paradise Lost"

Identity Unthroned: Fallen Sublimity in John Keats’ Hyperion, William Shakespeare’s King Lear, and John Milton’s Paradise Lost